Friday, October 14, 2016
Hold On Here, Let Go There
The tanks and stacks of the gasworks are way too complicated to render accurately. which is a very good thing. It forces us to find a way to simplify the subject, which entails identifying a few essential visual features to hold on to, and letting go of everything else. On Wednesday we kept a loose grip on composition and had some fun with color. Wild and crazy as we got, every painting made that afternoon would be instantly recognizable as gasworks.
Most of the edges were hard. Let's try letting go of that aspect, too. You can find thousands of photos of the structures online, or just use your paintings as jumping off places.
What color sky do you want?
Will it work to have different colored tanks?
What if the cylinders and the shadows are only roughly attached?
Can the shapes dance around a bit?